Sarah Peters · Broken Puppet · Worthing

Colour Tattoos
by Sarah Peters

Vibrant and well-considered. Colour work built around palettes that hold long-term, from soft neo traditional hues to bold saturated designs.

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Colour Tattoos Worthing

Colour that works
for the long term.

Colour tattooing requires a different technical understanding to black and grey. How pigments interact with different skin tones, how colours shift as they heal, which combinations hold and which fade within a few years. Sarah's colour work is built around palettes chosen for longevity rather than just immediate impact. The result is vibrant work that still reads well years after the session.

Her background in fine art gives her colour work a considered quality that goes beyond technical application. She thinks about how hues sit together, how light and shadow work within a colour palette, and how the finished piece will read both at arm's length and up close. From soft, watercolour-influenced neo traditional pieces to bold saturated designs, the finish is always clean and deliberate.

What Sarah Does in This Style

The subjects.
The approach.

Neo traditional colour

Rich, warm palettes applied with the structured line work of neo traditional tattooing. Sarah's neo traditional colour work has a painterly quality that comes from understanding how pigments layer. These pieces suit clients who want colour that feels considered and classic rather than loud, and that will hold its character as it settles into the skin.

Bold and saturated

High-impact colour work with strong saturation and clean edges. These pieces read from a distance and photograph well, but Sarah designs them with the healed result in mind rather than just the fresh tattoo. Ink selection, placement and skin preparation all play a role in how saturated colour holds, and Sarah will walk you through all of it before the session.

Colour and fine line combined

Pieces that combine Sarah's fine line precision with careful colour application. These tend to be her most detailed commissions: intricate compositions where line work provides structure and colour adds depth and warmth. The consultation stage is particularly important for these pieces as the relationship between line and colour needs to be planned before anything gets drawn up.

The Gallery

Colour tattoos
by Sarah Peters

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Bring the palette.
Sarah makes it last.

Whether you have specific colours in mind or want Sarah to develop a palette from your brief, the consultation is where colour work gets planned properly. Scale, placement, skin tone and ink selection all get discussed before any commitment. Booking is via the studio form. Free consultation, no obligation.

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